Sasha dolls were created by Swiss doll artist Sasha Morgenthaler, who was born in 1893 and died in 1975. The dolls were first produced in Germany, by Götz (1965-1969 and 1995-2001) and then in the United Kingdom, by Trendon (1966-1986). According to Wikipedia, Sasha dolls are "characterized by their individualism, their realistic expressions, their unique color, and the extreme attention to detail in the manufacture of the dolls as well as their clothes." Sasha is made of hard plastic, with elastic stringing that enables her to hold poses. She is also able to stand without the aid of a doll stand. Sasha is 16" tall and has the same relative body proportions as a young girl.
Sasha was one of the many dolls that my daughter had in her childhood in the 1970s. A few years ago, I bought a brunette Sasha to represent the 1970s in my doll collection. The clothing sold for Sasha was so well made and so enchanting that I was enticed into collecting them for my Sasha, rather than sewing clothes for her myself. In addition to the things I bought, I did end up knitting a few things for Sasha. One of the things that I find amusing is that, with a few exceptions, Sasha's color palette is red, white and blue. She is a patriotic doll! Here is her wardrobe:
Here is Sasha in her iconic blue checked yoke dress. This was the dress most often sold on Sasha. It is the dress in which my daughter's Sasha came. There are two snaps at the back yoke and a snap on each sleeve cuff. Underneath her dress she wears blue checked bloomers. The socks are replacements, but the shoes are original to Sasha.
Here she is in her navy blue cord yoke dress. This style was one of the first ones mass produced for Sasha. This is a later version, as it has Velcro closures. Underneath Sasha wears blue cord short pants.
Sasha is wearing her blue dancing dress. This is the dress in which she came to me. The dress has a sash that ties in a bow in the back. Sasha also came wearing white tights, as seen in the photo. She should be wearing her dancing shoes, which can be seen later on in the photo of her ballet ensemble.
Here Sasha is wearing what I call the white ruffle dress. It has ruffles at the armholes and at the hem. There is a separate sash that ties in a bow at the back.
Sasha is wearing her white pintuck dress. The pintucks are difficult to see in the photo, but there are vertical pintucks down both the front and back of the dress, as well as horizontal pintucks at the lower edge. The cuffs and collar all have small gathered ruffles. Sashas who came in this outfit had center snap black shoes. As my Sasha does not own such a pair, she is wearing her original black slip-on shoes.
Here is Sasha wearing the slip that came with the pintuck dress. It is good to have a slip to wear under a white dress, to prevent any embarrassing see-through during the photo shoot.
Here Sasha is wearing a pink short-sleeve yoked dress, which has deep vertical pleats on the lower portion. The separate belt closes with Velcro, as does the back of the yoke. The little Peter Pan collar is white. This is one of my favorite outfits. Sashas who came in this outfit wore knee socks and black Oxfords, as does my Sasha here.
Sasha is wearing her school girl uniform. The patch on the upper right of the jumper is the Trendon emblem. The white long-sleeved shirt closed with snaps down the center front and at the cuffs. Sasha wore white knee socks and black oxfords with her uniform. It originally came with a black tie belt, which was missing from the one that I bought.
Here is Sasha in her mariner's outfit. It has a white sleeveless blouse under the middy shirt. It is supposed to have a black tie, but it also is missing. The skirt came with large stains, but I was able to soak them clean. The skirt is open completely down the back, but has a large overlap, for modesty's sake. Sasha is wearing her white knee socks and black Oxfords with her mariner's outfit.
Sasha is now wearing her red Scottish kilt with a white fisherman's knit sweater. She looks like she is ready for the Highland games!
This is one of Sasha's more casual outfits. The A-line jumper is made of red denim, which looks pinkish in the photograph. The jumper straps snap closed at the front. There is also a snap on the right side under the arm, to give room in getting it on and off. The short-sleeve shirt is navy blue check. In accord with the casual look, Sasha is wearing her brown sandals.
Here is another casual look. This dress was sold as a smocked dress, but the "smocking" is just two rows of slightly gathered white stitching. Sasha wears a matching pair of shorts underneath, which are definitely needed as the dress is very short. She is wearing a straw hat, which I was told when I bought it that it was sold by Trendon for Sasha. I'm not sure about that, but it does fit her.
Continuing the casual theme, here is Sasha in what I call her French sailor's outfit. It does have a rather French look to it. The light blue top is denim and is very stiff on her. The jeans have a leatherette belt, which is needed, as the waist of the jeans is too big. Sasha is wearing her white Oxfords, which rather look like boat shoes, as well as her red beret.
Sasha is now wearing her brown cord farmer's pants. Originally it came with a white cotton short-sleeve shirt, but mine did not, so Sasha is wearing a white T-shirt with the farmer's pants, as well as her brown sandals. This is another iconic Sasha outfit, first made in the 1960's. She looks very comfortable in it!
This is another of my favorite outfits It is a summer play outfit, with a pair of blue cotton shorts, a matching hat, and a white cap-sleeve T-shirt. It also came with a pair of red and white striped socks to wear with white Oxfords, but the socks are so thick that it is impossible to get the shoes on over them. The outfit also came with a blue-and-white striped tote bag, in which Sasha carries her swimming suit.
Sasha in her red and navy striped swimming suit is ready to take the plunge! The suit is cut low in the back, down to her waist. This is the only time that Sasha got to go barefoot.
Sasha is a budding ballerina. She does have problems doing pliés, though, as her knees do not bend. Here she is wearing her dancing shoes, which have ties long enough to cross in front and then encircle her ankles, as true ballet shoes do. The leotard is supposed to have a white tutu, but mine came without.
Here Sasha is wearing the ballet cape that came with the outfit. The cape is sewn part way up under the arms, to form sleeves of a sort. It is bound in black and has a small collar.
In cold weather, Sasha wears her red duffle coat. She can pull up the hood to keep even warmer. The coat has two small brass buttons for closures. The duffle coat came with a pair of black leatherette boots, but try as I might, I could not get them on her. So instead, she is wearing her jeans and black Oxfords.
In rainy weather, Sasha can wear her navy vinyl raincoat with matching rain hat. The coat snaps closed with two white snaps. It came with a pair of white boots.
In the 1970's, the Golden Hands Encyclopedia of Crafts was published in 98 weekly installments, which covered a wide variety of needlecrafts. I purchased all 98 installments and made quite a few of the projects in them. In four issues there were projects to knit or crochet for Sasha. I had plans to make those outfits for my daughter's Sasha, but never got around to it. I've now made some of them for my current Sasha.
In the U.S. version of Golden Hands, this was called a party dress. In the U.K., it was a nightgown. In the magazine, it was knit in yellow, with a white ribbon and white lace at the hem. The skirt has a simple lace pattern and the bodice is knit throughout. I've put a French blue ribbon through the eyelets, with a matching ribbon for Sasha's hair.
The pattern for the party dress came with a matching coat. The sleeves are in the same lace pattern as the skirt. There is a single-button closing at the front of the high waistline.
Here is a peasant's outfit from Golden Hands. The shaped A-line skirt has a knit-in waistband. The bib has long straps that cross in the back. The blouse has lace gathered lower sleeves, a high knit collar and buttons in the back. The knit babushka, which were very stylish in the 1970's, has the same striped pattern as the skirt and bib and has a knit lace edging. I knit this outfit in the same color combination as the original in Golden Hands.
This Aran-style sweater is also from a pattern in Golden Hands. In the same issue there was also directions for a pair of bell-bottom pants and a long vest to be worn over the sweater. I haven't knit the vest or pants yet, as I haven't figured out what color would be appropriate for the 1970's but not look too awful. I made up the pattern for the little knit cap myself.
I modified the Golden Hands sweater pattern to make this Fair Isle sweater and cap for Sasha. It actually is a mock Fair Isle knitting pattern. In true Fair Isle, two colors are used to knit each row, with the alternating use of those colors forming the pattern. For this sweater, each row was knit with just one color, but the colors changed row by row. The pattern was made by knitting some stitches on the row but not knitting other stitches, rather just moving them from one needle to the other. This method gives a miniature Fair Isle effect, the right size for a doll's sweater.
I am trying very hard not to be enticed into buying any more outfits for Sasha. There are a few pieces missing for the outfits that I already have, which I would like to find. These include the white shirt that goes with the farmer's pants, the white tutu for the ballet outfit, the black belt for the schoolgirl uniform and the black tie for the mariner's outfit. I do not hold out much hope for finding the last three. I imagine that the tutus, made of fragile net and designed to attach and detach for the leotard, did not often survive the young owners' childhoods. The black belt and black tie, once separated from their respective outfits, are not easily identifiable as Sasha clothing. On the other hand, I do have yarn and patterns to knit a few more sweaters and caps for Sasha. In fact, I did knit one other set, a red-and-white Icelandic style sweater. Nearly every row was knit with two colors, which I find very exacting. I knit the cap first and it fit Sasha just right. I knit the sweater next and when finished, I discovered that it was far too small, fitting her skin tight -- not quite the look I wanted! I bought more red and white yarn, but haven't had the heart yet to knit that sweater again. One day, though . . . .